Showing posts with label Cyprus. Show all posts
Showing posts with label Cyprus. Show all posts

Friday, February 7, 2014

Clio Ancient Art Valentine's Sale



Hello Customers, Friends and Fans of Clio Ancient Art:







In honor of Valentine’s Day, we are holding a sale on selected antiquities. This sale ends 7:00 PM Saturday, February 15.




ROMAN ANTIQUITIES (coins not included), 15% OFF




56 items to select from in stone, ceramic, bronze and glass. You can find these here –




http://www.clioancientart.com/catalog/c15_p1.html




http://www.clioancientart.com/catalog/c16_p1.html




http://www.clioancientart.com/catalog/c17_p1.html





ANCIENT JEWELRY AND PERSONAL ADORNMENT, 15% OFF




36 items, Egyptian, Roman, Byzantine, Medieval European and early Islamic, in silver, bronze, faience, enamel and glass. You can find these here –




http://www.clioancientart.com/catalog/c19_p1.html




http://www.clioancientart.com/catalog/c19_p2.html





BOOKS, CATALOGS AND OTHER PUBLICATIONS, FRAMED AND UNFRAMED ART, 15% OFF




24 items available. You can find these here –




http://www.clioancientart.com/catalog/c25_p1.html





As always, thanks for looking.





Best wishes,

Chris M. Maupin
Clio Ancient Art and Antiquities
Chris Maupin Trust for Ancient Art
PO Box 7714
Wilmington, NC 28406
Phone: 704-293-3411
Web: http://www.clioancientart.com/

Friday, January 3, 2014

It's Always Nice to Get Positive Press Coverage...

http://www.wilmingtonbiz.com/retail/2014/01/03/clio_debuts_in_wilmington/11225

Thursday, September 19, 2013

Megarian Ware: Transition and Continuity from the Hellenistic to Roman Worlds

Two closely related pottery bowls on our website typify a type of pottery marking the all important transition from the later Hellenistic period to the time of Roman dominance, even before the formal establishment of Rome’s empire, of the broader Mediterranean world. Both bowls are examples of what is generally termed Megarian Ware, a type of pottery produced mainly in Greece and Asia Minor but also with imitative production centers in Italy. Megarian Ware, the name of which comes from 19th Century finds of this pottery near Megara in Greece, offers important insights into the transition from the ubiquitous red figure “painted” pottery of the classical era to the red slip pottery that would come to dominate the Mediterranean world for centuries to come.

Image

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Both are thin walled bowls and made from fine hard pink clay. One is covered in a deep orange-red slip, the other in a chocolate brown slip. But the most important distinguishing characteristic of both, and of most Megarian Ware, is that they are mold-made, resulting in an all-over pattern of rosettes, laurel leaves and repeating geometric shapes in high relief.

Megarian Wares were distributed over a very wide swath of the Mediterranean and beyond. An example in the British Museum was probably made in Cyprus but was found at Salamanca in Spain: http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=392743&partId=1&searchText=Megarian+Ware+Bowl&images=true&page=1

The different color slips used on these bowls is an important factor in understanding the role of pottery in the Hellenistic to Roman Imperial transition. Establishment of a relatively uniform Hellenistic material culture across a great geographic expanse, from South Italy and Sicily in the west to Syria and Mesopotamia in the east, led to the decline of the classical red figure pottery tradition. Potters turned to the mass production technique of stamping out vessels in molds. Some of these featured complex mythological scenes, such as this example in the Metropolitan Museum of Art in New York: http://metmuseum.org/collections/search-the-collections/254263. Dark brown and black slips on Megarian vessels offered a smooth transition from the attractive black slip wares of the later Classical era. A great deal of black to dark brown slip Megarian Ware pottery has been found in Republic level excavations in Rome and its colonies. The orange-red slip examples eventually came to dominate the market and provided the immediate inspiration, at least in color and fabric, for the fine, hard Roman red wares developed in Gaul and Northern Italy in the late Republic. These would “spin off” countless imitations at workshops all over the Mediterranean world, finally concluding with the red ware of Roman North Africa in the 3rd, 4th and 5th Centuries.

Here is an example formerly with our Trust for Ancient Art, gifted in 2010 to the Crocker Art Museum in Sacramento, CA, produced in Asia Minor in the 2nd half of the 1st Century AD:

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And here is a 3rd Century example currently on our website of later North African red ware:

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                                       LINK:http://www.clioancientart.com/catalog/i204.html

Thursday, June 27, 2013

Every Coin Tells A Story: A Survivor from the Cilician Kingdom of Armenia



The silver coin pictured here, a “Tram” of the Cilician Armenian ruler Levon I, is a survivor from a rather remarkable episode in the Medieval history of the Eastern Mediterranean.

Our story begins far to the east, with the conquest of much of the Middle East by the Seljuk Turks. Fleeing their original homelands in what had been the ancient Kingdom of Armenia, long a pawn in the conflicts between the Roman and Persian Empires, thousands of Armenians established a principality in what today is the southernmost coastal region of Turkey and the northernmost coastal region of Syria. During the final quarter of the 11th Century, under the first King of the Rubenid Dynasty, they declared independence from the Byzantine empire. Our coin was issued by Levon I, perhaps the most successful ruler during this initial phase of the Kingdom’s history.

Although the new Kingdom prospered economically due to its geography, which included an arc of high mountains providing some degree of protection and a narrow but fertile coastal plain that featured several good ports for trade, it was always at risk and short on allies. Nearly surrounded by hostile Islamic states, at various times it allied itself with the new Mongol rulers of Iran, Mesopotamia and Syria, the Ilkhanids, who were not yet fully converted to Islam, occasionally with the Byzantine Empire to the north and especially with the European Crusader states that sprang up along the Levantine coast shortly after its own birth (see also a coin of the Crusader Principality of Antioch & County of Tripoli on our website: http://www.clioancientart.com/catalog/i280.html) .

One outcome of the Crusader alliance was extensive marriage between the new Crusader aristocracy and the 2 Armenian ruling families, the Rubenids and Hetumids. The Hetumids later formed a close marriage based alliance with the Frankish Lusignan Dynasty, who ruled the nearby Island of Cyprus. On our coin, this western influence is clearly visible, even during the Kingdom’s early years– http://www.clioancientart.com/catalog/i300.html. On the reverse is the Armenian rampant lion while the obverse includes a forward facing seated king holding a sceptre topped with the Frankish fleur-de-lis.

Conducting business in any of the Cilician ports or towns during the Kingdom’s almost 300 year history would have involved a bewildering array of currency. In addition to the silver and bronze coinage issued by the official mints of Armenian Cilicia, accepted forms of currency included Venetian, Genoese and Pisan coinage, Islamic Dirhems issued by the Mamluks, Ilkhanids and other local dynasties, and coins issued by the various Crusader principalities. While all of these had a rough, easy to understand relationship to one another based on weight of precious metal, implementing this in actual practice would have called for both good math skills and shrewd bargaining skills.

Despite intermarriage with the Lusignans, the Cillician Armenian Kingdom could not survive onslaughts from the powerful Mamluk rulers based in Egypt, who had effectively halted the Mongol advance. By the early 14th Century, the Mongol rulers of the Middle East had converted to Islam and the Crusader states along the coast of Palestine had all fallen or been abandoned, thus depriving the Armenians of key allies. The Kingdom fell in 1375, and the last King of Cilician Armenia died in exile in Paris in 1396.

This relatively minor but remarkable chapter in history serves to remind us of the religious, political and philosophical complexities of that part of the world, as we should be very much aware from recent news. The improbability of this chapter also reminds us that truth is always stranger than fiction. Of course, this is the beauty of ancient and medieval coinage; it always tells a fascinating story and sometimes provides the only clues to understanding particular events in history.

Friday, May 17, 2013

Ancient Cypriot Ceramics: A Brief Review

The Island of Cyprus, still divided after 4 decades between the internationally recognized Greek Cypriot state — a member of the EU– and the Turkish Cypriot state, and very much in the news lately because of its economic woes, has a profoundly long and complex history. Once the crossroads of the eastern Mediterranean, it has seen immigrants and invaders come and go for many thousands of years. Egyptians, Assyrians, Greeks, Romans, Byzantines, Crusaders, Turks, British colonials and others have all left their mark on its landscape and culture.

One very tangible component of the Island’s surviving ancient material culture is pottery. Almost indestructible and abundant, ceramics have been key to aiding more modern excavators in reconstructing the Island’s complex ancient history. Prior to the signing of modern international conventions restricting the export of Cypriot antiquities, a great deal of Cypriot material was removed from the Island by amateurs, explorers, museums, financially motivated looters and by archaeologists. Much of this material is available on the legitimate antiquities art market today.

Our website offers a good selection of material, from the Bronze Age through the Hellenistic era. Our selection is by no means comprehensive, as the range of ancient Cypriot pottery types, fabrics, designs, etc. is enormous and just as complex as the Island’s history. Below please find a few images with links to those items on our website.


 

 



 

Monday, April 29, 2013

Antiquities in The Crocker Art Museum, Sacramento, CA

This link will take you to a photo album on our Facebook page:

 https://www.facebook.com/media/set/?set=a.10151534776333594.550212.247378388593&type=1&l=3f7012b51e

Most recent installation of the antiquities collection, including many pieces donated by Clio Ancient Art & Antiquities' "Chris M. Maupin Irrevocable Trust for Ancient Art". This is the 3rd re-installation of the relatively new collection and includes many pieces that Clio Ancient Art and the Trust worked with the Museum on acquiring from other private collectors. Of course, only a fraction of the collection, now numbering over 200 objects, is on display at any one time; perhaps 45 objects. Of the 40 or so pieces gifted by the Trust, about 15 are currently on display. 

Sunday, April 21, 2013

Our "Links" Page: Another Useful Resource

The "Links" Page on our website -- http://www.clioancientart.com/id15.html -- offers a wealth of resources relating to antiquities, ancient art and ancient cultures. There are links to general online resources about antiquities collecting, links to academic and museum collections online, links to antiquities trade associations and to both print and online publications, and much more. Here's that link again --

http://www.clioancientart.com/id15.html

Enjoy!


Tuesday, April 16, 2013

A Useful Tool: Our “Sold Antiquities” Page

http://www.clioancientart.com/id18.html

This is the link to our “Sold Antiquities” page, which includes images and brief descriptions of objects we’ve sold over the last couple of years. By virtue of the great number of items it displays, it is a very useful tool both for researching antiquities in general, and specifically for tracking antiquities we’ve sold. So often, antiquities with perfectly legitimate provenance pass from a dealer to a private collector, then perhaps to another collector or dealer, and loose their provenance information in the process. Using this page, items we’ve sold may be traced back to Clio Ancient Art and their long term provenance established.

Here’s the link again: http://www.clioancientart.com/id18.html

Enjoy!