We are pleased to announce that our Trust for Ancient Art has rounded out the year by facilitating the donation of a collection of ancient Roman glass from an anonymous Atlanta collector, acquired many years ago in Israel, to the Mint Museum of Art in Charlotte, North Carolina. The Mint had previously benefited from the Trust’s donation of a superb Medieval English encaustic glazed floor tile. A few images of the Roman glass vessels now at the Mint Museum are included here.
Clio Ancient Art and Antiquities seeks to make antiquities and artifacts of the Mediterranean world accessible to a wide audience while offering print and electronic resources to both the novice and experienced collector of ancient art. With 25 years experience collecting and extensive travel in the Mediterranean world, owner Chris Maupin has consulted on ancient art for museums and private collectors.
Thursday, December 26, 2013
Trust for Ancient Art Facilitates Gift of Ancient Glass to Mint Museum of Art
Labels:
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antiquity,
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Location:
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Wednesday, December 25, 2013
Vatican to Open Roman Cemetary to Public
Labels:
Ancient Art,
antiquities,
antiquity,
archaeology,
art,
heritage,
history,
Roman,
Roman Empire,
Rome,
Vatican
Location:
Wilmington, NC, USA
Monday, December 23, 2013
Sunday, December 22, 2013
Christian (and Pagan) Symbolism on Some Late Roman and Byzantine Coins
Although not all Christians celebrate Christmas Day on December 25
(some still use the Julian Calendar date corresponding to January 7), as
we are, in either case, a few days away from Christmas this seemed an
appropriate time to examine a few ancient coins on our website that
carry early Christian symbols, all created after the Roman Empire had
adopted Christianity as the state religion.
We begin with a bronze Centenionalis of Aelia Flacilla (died AD 386), wife of the Emperor Theodosius I. The reverse of this fairly large medium value coin bears an image of the formerly Pagan personification of Victory seated and inscribing a shield with the “Chi-Rho” symbol that had been used by Constantine I, the first Emperor to adopt Christianity some 50 years earlier, as his standard at the Battle of the Milvian Bridge.
Despite popular belief the Chi-Rho, formed by combining the Greek capital letters chi and rho to form the sound of the first two letters of Christ’s name, has its roots in Paganism, having been used by much earlier Greek scribes as a means of indicating in the margins of a scroll or manuscript a key passage, abbreviating the Greek word “chreston” (good). This scarce coin is shown in its entirety below, with a link to it on our website.
Next is the reverse of a tiny bronze coin of Theodosius II, Emperor from AD 408-450, struck at Constantinople, which had long since replaced Rome itself as hub of the Empire. This is a very early instance of the cross or christogram appearing as the sole decorative device on the reverse of a coin.
There is no text to accompany the image, simply a laurel wreath surrounding it (the wreath again conveying much pre-Christian symbolism). The issuer of this coin, Theodosius II, is perhaps best known for 2 achievements: the Theodosian Code, a compilation of laws issued in the Empire since the time of Constantine I, and building the great land walls of Constantinople, which survived all siege attempts until the final Ottoman assault in 1453. Here is the coin again, showing both obverse and reverse, with a link.
Finally, we have a medieval coin of the Byzantine Empire (even at this stage, the Byzantines certainly thought of themselves as Romans), dating to AD 1185-1195, the reign of the Emperor Issac II Angelus, There is little to say about Issac II, other than he was the first of 3 consecutive incompetent rulers whose mismanagement resulted, just 20 years later, in Constantinople falling into the hands of western armies for 50 years, before liberation under dynamic new rulers who helped inspire the final flowering of Byzantine art and culture.
There is much to say about the coin. It is made from about 2.5% silver with the rest copper. These poor quality coins, usually very badly struck, were made in great numbers and are today quite affordable. Our example is fairly well struck with relatively clear images. The obverse depicts the Virgin seated and supporting the head of the infant Christ.
We begin with a bronze Centenionalis of Aelia Flacilla (died AD 386), wife of the Emperor Theodosius I. The reverse of this fairly large medium value coin bears an image of the formerly Pagan personification of Victory seated and inscribing a shield with the “Chi-Rho” symbol that had been used by Constantine I, the first Emperor to adopt Christianity some 50 years earlier, as his standard at the Battle of the Milvian Bridge.
Despite popular belief the Chi-Rho, formed by combining the Greek capital letters chi and rho to form the sound of the first two letters of Christ’s name, has its roots in Paganism, having been used by much earlier Greek scribes as a means of indicating in the margins of a scroll or manuscript a key passage, abbreviating the Greek word “chreston” (good). This scarce coin is shown in its entirety below, with a link to it on our website.
Next is the reverse of a tiny bronze coin of Theodosius II, Emperor from AD 408-450, struck at Constantinople, which had long since replaced Rome itself as hub of the Empire. This is a very early instance of the cross or christogram appearing as the sole decorative device on the reverse of a coin.
There is no text to accompany the image, simply a laurel wreath surrounding it (the wreath again conveying much pre-Christian symbolism). The issuer of this coin, Theodosius II, is perhaps best known for 2 achievements: the Theodosian Code, a compilation of laws issued in the Empire since the time of Constantine I, and building the great land walls of Constantinople, which survived all siege attempts until the final Ottoman assault in 1453. Here is the coin again, showing both obverse and reverse, with a link.
Finally, we have a medieval coin of the Byzantine Empire (even at this stage, the Byzantines certainly thought of themselves as Romans), dating to AD 1185-1195, the reign of the Emperor Issac II Angelus, There is little to say about Issac II, other than he was the first of 3 consecutive incompetent rulers whose mismanagement resulted, just 20 years later, in Constantinople falling into the hands of western armies for 50 years, before liberation under dynamic new rulers who helped inspire the final flowering of Byzantine art and culture.
There is much to say about the coin. It is made from about 2.5% silver with the rest copper. These poor quality coins, usually very badly struck, were made in great numbers and are today quite affordable. Our example is fairly well struck with relatively clear images. The obverse depicts the Virgin seated and supporting the head of the infant Christ.
Unlike
Roman coins of the Christian era, Byzantine coins carry the Emperor’s
image on the reverse, with purely Christian images or symbols on the
obverse. In this case, the emperor is depicted facing, holding an
elaborate ceremonial cross and ceremonial clothing rich in Christian
symbolism. Here is the coin in its entirety with link.
All of these small objects are heavy with
symbolism, both Christian and Pagan, and should remind us of how the
images and ideas of so long ago have shaped our world today.
Labels:
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archaeology,
art,
artifacts,
Byzantine,
coins,
culture,
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history,
Medieval,
museum,
numismatics,
Roman,
Roman Empire
Location:
Wilmington, NC, USA
Sunday, December 15, 2013
Well, this is going to cause a stir...
Labels:
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antiquities,
antiquity,
archaeology,
art,
artifacts,
ceramic,
culture,
Greece,
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history,
museum,
pottery,
Roman,
Roman Empire,
Rome
Location:
Wilmington, NC, USA
Tuesday, December 10, 2013
Antiquity of the Week: Roman Enameled and Tinned Bronze Rabbit Brooch
Our selection for "Antiquity of the Week" is this very small but remarkable Romano-British rabbit brooch with surviving traces of a tin coating (to resemble silver) and enamel decoration.
http://www.clioancientart.com/catalog/i506.html |
CULTURE / REGION OF ORIGIN: Roman England but of Continental origin.
DATE: 1st or 2nd Century AD
DIMENSIONS: 2.3 cm (0.90 in.)
DESCRIPTION: A remarkable and very uncommon type of Roman rabbit brooch, of the so-called "Rabbit with Young" type - so named because the 2 cells in the surface each form of a small seated rabbit. These rabbit cells still contain traces of the original red enamel fill, while the surface around them shows remains of tinning. The animal's front and back legs are delicate and clearly represented, with an overall naturalistic body. The tiny head is now missing. The back is flat and undecorated with the hinge and catch plate for the now missing pin still present. The UK Portable Antiquities Scheme's vast database contains only 11 examples of rabbit brooches, found in England but mostly of Continental origin, probably from Gaul, and only a few of these are the "Rabbit with Young" variety. A tiny, remarkable and very uncommon type at a very reasonable price.
PROVENANCE: UK metal detecting find, declared not Treasure and legally exported.
COMPARISONS: For a nearly identical example, also missing part of the head and the pin, see the UK Portable Antiquities Database at www.finds.org.uk, Unique ID: SF-D91D84
Labels:
ancient,
Ancient Art,
antiquities,
antiquity,
archaeology,
art,
artifacts,
brooch,
England,
fibula,
history,
Roman,
Rome
Location:
Wilmington, NC, USA
Wednesday, December 4, 2013
Vikings Coming to The British Museum
Here's the link to the much talked about Viking exhibition coming to The British Museum this Spring - http://www.britishmuseum.org/whats_on/exhibitions/vikings.aspx
Another Fine Ongoing Exhibit at the Villa
An ongoing, long term exhibition and a
personal favorite. For those with an interest in ancient glass, I
recommend the Getty’s publications selection on the topic, which is
extensive – http://www.getty.edu/art/exhibitions/molten_color/index.html
Exhibits at The Getty Villa
As always, there are some great exhibitions ongoing at the Getty Villa in Malibu. Here’s one, running through March 3, 2013 –
http://www.getty.edu/art/exhibitions/tiberius/
http://www.getty.edu/art/exhibitions/tiberius/
Friday, November 29, 2013
Antiquities for the Holidays
Hello Customers, Fans and Friends of Clio Ancient Art:
For Black Friday, Cyber Monday and all the other shopping
days between now and the end of this year, we’ve loaded our website with many
modestly priced fine quality antiquities suitable for holiday gift giving. These
include -
·
* Several dozen Roman, Byzantine, early Islamic
and other ancient and medieval coins of all types, all reasonably priced, including
several excellent examples of the coinage of Constantine I. You may find them
here: http://www.clioancientart.com/catalog/c18_p1.html
·
* At least 20 examples of Roman bronze brooches of
several types. These are very personal antiquities that connect us to the
individuals who originally wore them. Many are available for under $100. You
may find these in our multi-page Ancient Jewelry section here: http://www.clioancientart.com/catalog/c19_p1.html
·
* Ancient oil lamps, including fine Roman redware,
Byzantine, Hellenistic and early Islamic examples - http://www.clioancientart.com/catalog/c14_p1.html
·
* Ancient glass vessels and objects, mostly Roman,
in many shapes, styles, colors and prices - http://www.clioancientart.com/catalog/c13_p1.html
and here http://www.clioancientart.com/catalog/c24_p1.html
·
* As always, we offer fine quality Egyptian
antiquities - http://www.clioancientart.com/catalog/c2_p1.html
·
* Greek antiquities - http://www.clioancientart.com/catalog/c3_p1.html
·
* Several pages of Roman antiquities - http://www.clioancientart.com/catalog/c15_p1.html
and here - http://www.clioancientart.com/catalog/c16_p1.html
and here - http://www.clioancientart.com/catalog/c17_p1.html
· *
And mixed Byzantine, Near Eastern, Medieval and
other types of antiquities - http://www.clioancientart.com/catalog/c26_p1.html
– and here - http://www.clioancientart.com/catalog/c21_p1.html
Many of the fine quality objects offered in these pages also
very moderately priced for holiday gift giving or for treating yourself.
Domestic shipping is free (see our website for international shipping costs).
As always, thanks for looking and please don’t hesitate to
contact us should you have any questions.
Best wishes,
Chris M. Maupin
Clio Ancient Art and Antiquities
Chris Maupin Trust for Ancient Art
PO Box 7714
Wilmington, NC 28406
Phone: 704-293-3411
Web: http://www.clioancientart.com/
Clio Ancient Art and Antiquities
Chris Maupin Trust for Ancient Art
PO Box 7714
Wilmington, NC 28406
Phone: 704-293-3411
Web: http://www.clioancientart.com/
Friday, November 22, 2013
ANTIQUITY OF THE WEEK: Roman Bronze Arm, Hand and Purse of Mercury
http://www.clioancientart.com/catalog/i490.html |
Exceptional Roman Bronze Arm, Hand & Purse of Mercury
CULTURE / REGION OF ORIGIN: Roman Britain
DATE: 2nd-3rd Century AD
DIMENSIONS: 4 cm (1.57 in.) long, 3.5 cm (1.38 in.) tall
DESCRIPTION: A beautifully preserved hollow cast bronze arm and hand holding a purse from a statuette of the Roman god Mercury (equivalent to the Greek god Hermes). The arm is bent at the elbow, in the god’s typical stance, and the detailed hand grasps a shepherds purse. Mercury was the patron god of financial gain and commerce, among others roles, and statuettes of the god were especially popular in the western European provinces of the Empire. Mercury’s Greek equivalent, Hermes, was also a protector of shepherds, so his purse, which resembles an animal skin, is referred to as a shepherds purse. Unlike most smaller statuette fragments, this example is just large enough to have come from a hollow cast statuette, probably from a household or military shrine. The point at which the arm has broken away from the statuette reveals its hollow inside. The surfaces are a very smooth dark green, almost black, with small areas of pale earthen highlighting.
PROVENANCE: Oxfordshire, UK metal detecting find, declared not treasure and legally exported.
COMPARISONS: See the UK Portable Antiquities Scheme online database, object SF-EBF-303, for a smaller hand and purse found in Suffolk, and the British Museum collections online, number 1851,0813.9 for a complete figurine of Mercury found in France, measuring about 6 inches tall, holding the purse in this same posture.
Labels:
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Ancient Art,
antiquities,
antiquity,
archaeology,
art,
artifacts,
bronze,
culture,
heritage,
Hermes,
history,
Mercury,
Roman
Location:
Wilmington, NC, USA
Thursday, November 21, 2013
More Fine Antiquities Added to Our Website
http://www.clioancientart.com/catalog/i489.html |
Hello Again:
Just a brief note to let you know we’ve added still more fine antiquities to our website.
Here are quick links to some of these –
* Exceptional Roman Bronze Arm, Hand & Purse of Mercury – http://www.clioancientart.com/catalog/i490.html
* Roman Bronze Bird Fibula (Brooch) with Blue Enamel – http://www.clioancientart.com/catalog/i489.html
* Mixed Group of 6 Roman Bronze Fibulae (Brooches) – http://www.clioancientart.com/catalog/i491.html
And many more…
We’ve also added several more excellent Roman coins, some from an exceptional hoard of Constantinian bronzes – http://www.clioancientart.com/catalog/c18_p1.html
As always, thanks for looking. We will be adding a variety of other objects to the website in December and we will update you at that time.
Best wishes,
Chris M. Maupin
Clio Ancient Art and Antiquities
Chris Maupin Trust for Ancient Art
PO Box 7714
Wilmington, NC 28406
Phone: 704-293-3411
Web: http://www.clioancientart.com/
Labels:
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antiquities,
antiquity,
archaeology,
art,
artifacts,
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Clio Ancient Art,
coins,
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fibula,
heritage,
history,
Roman
Location:
Wilmington, NC, USA
Friday, November 15, 2013
Latest Clio News: Our Move is Complete, Website Uodated and More!
Hello Customers, Friends & Fans of Clio Ancient Art:
Most of you know that in early October we were planning our move from Charlotte, NC to the coastal City of Wilmington, NC. That move has been completed and we are happily settled in our wonderful new home. Wilmington is a modest sized city of just 110,000 people but thriving, with a lively performing arts scene, major film industry, sophisticated restaurant and food community, a strong academic base with a campus of the University of North Carolina, a large Historic District featuring remarkable homes and public buildings dating from our nation's Colonial Era, the Antebellum period and later, and, of course, magnificent beaches, offshore islands, inland waterways and other natural wonders.
Now that we've settled in, we've updated our website - http://www.clioancientart.com/ - with many fine antiquities. These include -
* An Egyptian writing tablet amulet in moss agate - http://www.clioancientart.com/ catalog/i462.html
* 2 small Egyptian Late Period faience ushabtis - http://www.clioancientart.com/ catalog/i472.html
and - http://www.clioancientart.com/ catalog/i473.html
* A superb Roman bronze zoomorphic brooch in the shape of a duck - http://www.clioancientart.com/ catalog/i476.html
* A small Roman bronze zoomorphic brooch in the shape of a stylized Celtic horse - http://www.clioancientart.com/ catalog/i474.html
* A Roman bronze zoomorphic brooch in the shape of a standing horse - http://www.clioancientart.com/ catalog/i475.html
* Many examples of Romano-British and Pre-Roman Celtic bronze fibulae, too numerous to list individually here but these may be viewed in our "Ancient Jewelry and Personal Adornment" section here - http://www.clioancientart.com/ catalog/c19_p1.html
* A great selection of Roman coins in bronze and silver. Far too numerous to list individually here, these are listed in both our Roman Antiquities pages and in our Ancient Coins section - http://www.clioancientart.com/ catalog/c18_p1.html
Please note our new mailing address below.
Thank you and best wishes,
Chris M. Maupin
Clio Ancient Art and Antiquities
Chris Maupin Trust for Ancient Art
PO Box 7714
Wilmington, NC 28406
Phone (704) 293-3411
http://www.clioancientart.com/
Most of you know that in early October we were planning our move from Charlotte, NC to the coastal City of Wilmington, NC. That move has been completed and we are happily settled in our wonderful new home. Wilmington is a modest sized city of just 110,000 people but thriving, with a lively performing arts scene, major film industry, sophisticated restaurant and food community, a strong academic base with a campus of the University of North Carolina, a large Historic District featuring remarkable homes and public buildings dating from our nation's Colonial Era, the Antebellum period and later, and, of course, magnificent beaches, offshore islands, inland waterways and other natural wonders.
Now that we've settled in, we've updated our website - http://www.clioancientart.com/ - with many fine antiquities. These include -
* An Egyptian writing tablet amulet in moss agate - http://www.clioancientart.com/
* 2 small Egyptian Late Period faience ushabtis - http://www.clioancientart.com/
and - http://www.clioancientart.com/
* A superb Roman bronze zoomorphic brooch in the shape of a duck - http://www.clioancientart.com/
* A small Roman bronze zoomorphic brooch in the shape of a stylized Celtic horse - http://www.clioancientart.com/
* A Roman bronze zoomorphic brooch in the shape of a standing horse - http://www.clioancientart.com/
* Many examples of Romano-British and Pre-Roman Celtic bronze fibulae, too numerous to list individually here but these may be viewed in our "Ancient Jewelry and Personal Adornment" section here - http://www.clioancientart.com/
* A great selection of Roman coins in bronze and silver. Far too numerous to list individually here, these are listed in both our Roman Antiquities pages and in our Ancient Coins section - http://www.clioancientart.com/
Please note our new mailing address below.
Thank you and best wishes,
Chris M. Maupin
Clio Ancient Art and Antiquities
Chris Maupin Trust for Ancient Art
PO Box 7714
Wilmington, NC 28406
Phone (704) 293-3411
http://www.clioancientart.com/
Labels:
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Ancient Art,
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archaeology,
art,
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Clio Ancient Art,
coins,
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Egypt,
Egyptian,
fibula,
heritage,
history,
Roman,
Roman Empire
Location:
Wilmington, NC, USA
Wednesday, November 6, 2013
Antiquity of the Week: Villanovan Pottery Vessel
Our selection for antiquity of the week is thus superb, intact Villanovan Impasto Ware Vessel
CULTURE / REGION OF ORIGIN: Villanovan Culture, Italy (Northern Lazio or Southern Etruria))
DATE: 8th – 7th Century BCE
DIMENSIONS: Maximum height with handle 11 cm (4.3 in.); maximum width 13.1 cm (5.1 in.); rim diameter 12.0 cm (4.7 in.)
Link to this Item: http://www.clioancientart.com/catalog/i41.html
DESCRIPTION: A Villanovan brown Impasto Ware dipper. The vessel rests on a flat bottom, expands to its greatest width about half way up the bowl, narrows slightly, then continues vertically up to the lip. At three roughly equidistant points around the outside of the body, there are nipple-like projections. The handle is flat in section and divided into two loops. The entire surface is highly burnished, inside and out. There are three very small chips to the rim but the vessel is otherwise intact. A very nice example of the type.
PROVENANCE: Formerly in the collection of Lord Dayton of Corran, the collection formed between 1960 and 2000.
PUBLISHED: Ex Bonhams, ANTIQUITIES, 27 April 2006, London, Page 160, illustrated in color on Page 159.
COMPARISONS: Sestieri and De Santis, The Protohistory of the Latin Peoples, Electa, Rome, 2000, pages 36, 62 and 84 for examples of Villanovan Impasto Ware jugs or dippers of very similar form, with divided handles and projections on the body.
SPECIAL NOTES: The Etruscan civilization of Italy has its immediate roots in the Villanovan culture of west central Italy; an area open to influences from Greek and Carthaginian colonists and traders and northern European Celtic cultures. The Villanovan culture, centered in a broad area around the modern city of Bologna, rapidly developed from simple agricultural village life to a more socially stratified and technologically sophisticated society. The Etruscan cities of the following centuries grew directly out of Villanovan town foundations.This large, beautiful, highly polished pottery vessel offers a glimpse forward to the sophisticated Etruscan Impasto and Bucchero wares of the 7th and 6th Centuries BCE.
CULTURE / REGION OF ORIGIN: Villanovan Culture, Italy (Northern Lazio or Southern Etruria))
DATE: 8th – 7th Century BCE
DIMENSIONS: Maximum height with handle 11 cm (4.3 in.); maximum width 13.1 cm (5.1 in.); rim diameter 12.0 cm (4.7 in.)
Link to this Item: http://www.clioancientart.com/catalog/i41.html
http://www.clioancientart.com/catalog/i41.html |
DESCRIPTION: A Villanovan brown Impasto Ware dipper. The vessel rests on a flat bottom, expands to its greatest width about half way up the bowl, narrows slightly, then continues vertically up to the lip. At three roughly equidistant points around the outside of the body, there are nipple-like projections. The handle is flat in section and divided into two loops. The entire surface is highly burnished, inside and out. There are three very small chips to the rim but the vessel is otherwise intact. A very nice example of the type.
PROVENANCE: Formerly in the collection of Lord Dayton of Corran, the collection formed between 1960 and 2000.
PUBLISHED: Ex Bonhams, ANTIQUITIES, 27 April 2006, London, Page 160, illustrated in color on Page 159.
COMPARISONS: Sestieri and De Santis, The Protohistory of the Latin Peoples, Electa, Rome, 2000, pages 36, 62 and 84 for examples of Villanovan Impasto Ware jugs or dippers of very similar form, with divided handles and projections on the body.
SPECIAL NOTES: The Etruscan civilization of Italy has its immediate roots in the Villanovan culture of west central Italy; an area open to influences from Greek and Carthaginian colonists and traders and northern European Celtic cultures. The Villanovan culture, centered in a broad area around the modern city of Bologna, rapidly developed from simple agricultural village life to a more socially stratified and technologically sophisticated society. The Etruscan cities of the following centuries grew directly out of Villanovan town foundations.This large, beautiful, highly polished pottery vessel offers a glimpse forward to the sophisticated Etruscan Impasto and Bucchero wares of the 7th and 6th Centuries BCE.
Saturday, October 26, 2013
Books for Pleasure & Research, Antiquarian Books & Prints, Catalogs, Periodicals & More…
One of the resources we offer visitors to our website is a selection
of books for both pleasure & research, antiquarian books &
prints, catalogs and periodicals, all dealing with antiquities
collecting and auctions, ancient history and ancient art.
Our selection includes some fine examples of professionally mounted and framed art with themes relating to antiquity, such as this 19th Century English print with scenes of classical mythology -
We also offer unframed artwork with antiquarian themes, such as the marvelous 1820 print above illustrating Greek vases from the collection of Sir Henry Englefield.
Antiquarian books are always a favorite, such as this copy of Babylonian Life and History by the famed Biblical archaeologist E. Wallis Budge, printed in 1897 -
Our selection includes some fine examples of professionally mounted and framed art with themes relating to antiquity, such as this 19th Century English print with scenes of classical mythology -
We also offer unframed artwork with antiquarian themes, such as the marvelous 1820 print above illustrating Greek vases from the collection of Sir Henry Englefield.
Antiquarian books are always a favorite, such as this copy of Babylonian Life and History by the famed Biblical archaeologist E. Wallis Budge, printed in 1897 -
For the reader with a more general interest
in the ancient world, we offer selections of popular books, such as this
group of 3 books dealing with Late Antiquity -
And for the antiquities collector we always
have a substantial number of antiquities auction catalogs from the
London and New York auction houses. These are difficult to find once the
auction has ended and expensive to purchase in advance. As many
antiquities circulate through the market over the years, serious
collectors are keen to acquire these groups of catalogs. In addition to
being fully illustrated, these catalogs help to establish provenance for
the objects included. Here is an example of one set of catalogs for
sale on our site -
View all our offerings in our Books, Publications and Art section here: http://www.clioancientart.com/catalog/c25_p1.html
Labels:
ancient,
Ancient Art,
antiquities,
antiquity,
archaeology,
art,
artifacts,
books,
catalogs,
Chris Maupin,
Coptic,
Greece,
heritage,
Pompeii
Location:
Wilmington, NC, USA
Friday, October 25, 2013
ANTIQUITY OF THE WEEK
OUR OFFERING FOR “ANTIQUITY OF THE WEEK” THIS WEEK IS A SUPERB AND RARE ROMAN GLASS MARBLED UNGUENTARIUM.
Link to this object on our website: http://www.clioancientart.com/catalog/i84.html
CULTURE / REGION OF ORIGIN: Roman Empire; Italy or Eastern Mediterranean.
DATE: First half of the 1st Century CE
DIMENSIONS: 10.2 cm (4 in.) tall
DESCRIPTION: Roman unguentarium of amber-yellow glass with opaque milk-white trailing that has been marvered flush with the vessel’s surface. The vessel’s body is spherical with a slightly concave flattened base without a pontil mark, a tubular neck tapering towards the top, and a rim that folds outward and has been rounded and thickened at the edge. From the base to the rim runs a white spiral trail that makes multiple revolutions and has been dragged up and down six or seven times to create a broad festoon pattern. The vessel has been expertly reassembled from a few large fragments; very stable and otherwise intact.
PROVENANCE: Formerly in a Welsh private collection formed between the 1970s and 2008.
PUBLISHED: Bonhams, London, ANTIQUITIES, 29 April, 2009, Lot #302, listed and illustrated on Page 174.
SPECIAL NOTES: Most early Roman blown glass vessels, such as this example, have pear shaped bodies and continue to use the strong color contrasts of earlier core formed glass. As blown glass became more common and cheaper these strong colors were replaced by simple clear glass, of which many examples are available on our website.
COMPARISONS: E. Marianne Stern, Roman, Byzantine and Early Medieval Glass, 10 BCE-700 CE, Ernesto Wolf Collection, 2001, Cat. Numbers 2, 3 & 4 for closely related examples. Also, Yael Israeli, Wonders of Ancient Glass at the Israel Museum, Jerusalem, 1998, page 26 for several related examples.
Link to this object on our website: http://www.clioancientart.com/catalog/i84.html
CULTURE / REGION OF ORIGIN: Roman Empire; Italy or Eastern Mediterranean.
DATE: First half of the 1st Century CE
DIMENSIONS: 10.2 cm (4 in.) tall
DESCRIPTION: Roman unguentarium of amber-yellow glass with opaque milk-white trailing that has been marvered flush with the vessel’s surface. The vessel’s body is spherical with a slightly concave flattened base without a pontil mark, a tubular neck tapering towards the top, and a rim that folds outward and has been rounded and thickened at the edge. From the base to the rim runs a white spiral trail that makes multiple revolutions and has been dragged up and down six or seven times to create a broad festoon pattern. The vessel has been expertly reassembled from a few large fragments; very stable and otherwise intact.
PROVENANCE: Formerly in a Welsh private collection formed between the 1970s and 2008.
PUBLISHED: Bonhams, London, ANTIQUITIES, 29 April, 2009, Lot #302, listed and illustrated on Page 174.
SPECIAL NOTES: Most early Roman blown glass vessels, such as this example, have pear shaped bodies and continue to use the strong color contrasts of earlier core formed glass. As blown glass became more common and cheaper these strong colors were replaced by simple clear glass, of which many examples are available on our website.
COMPARISONS: E. Marianne Stern, Roman, Byzantine and Early Medieval Glass, 10 BCE-700 CE, Ernesto Wolf Collection, 2001, Cat. Numbers 2, 3 & 4 for closely related examples. Also, Yael Israeli, Wonders of Ancient Glass at the Israel Museum, Jerusalem, 1998, page 26 for several related examples.
Labels:
ancient,
Ancient Art,
antiquities,
antiquity,
archaeology,
art,
artifacts,
Clio Ancient Art,
culture,
glass,
heritage,
history,
oil lamps,
Roman Empire,
Rome
Location:
Wilmington, NC, USA
Saturday, October 19, 2013
Holiday Gift Giving Preview
With the holiday season approaching, it’s time to begin
thinking about appropriate gifts. Clio Ancient Art and Antiquities offers a
wide selection of genuinely unique items, in every price range, for the art
collector, history enthusiast or other difficult to shop for recipient on your
list.
Many genuine, fine quality items may be had for less than $100, as well
as far more expensive antiquities for the discerning collector. Of course, we
will be adding more fine items to our stock as the holidays approach but this is just a sample of some popular, less expensive holiday gift items. Enjoy.
Egyptian Faience Bead Necklace, 300 BC-200 AD, $255 |
Early Roman Bronze Brooch, $92.50 |
Postumus, British Usurper Emperor AD 260-269. Silver Antoninianus, $42.50 |
Roman Glass Pendant Beads, 4th-5th Century, $87.50 |
Roman Provincial Coin, Orichalcum 5 Assarion of Gordion III
AD 238-244
|
Roman Empire, Bronze AE3 of Constantius II, AD 337-361, $28.50 |
http://www.clioancientart.com/catalog/i455.html
Byzantine Pottery Oil Lamp, Holy Land, 6th Century AD. $155.00 |
Byzantine Openwork Cross and Pelta Buckle, 7th Century, $157.50 | http://www.clioancientart.com/catalog/i188.html |
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