There are many varieties of ancient glass, spanning over 2,500 years
of production and successive cultures, available both on the legitimate
antiquities market and in museum collections on view to the public. The
vast majority of ancient glass is relatively colorless Roman blown glass
(as opposed to core formed, rod formed, mold made, slumped, cast or
other techniques), dating between the 1st and 4th Centuries AD, a time
when blown glass was produced on a truly industrial scale.
Today, serious collectors of Roman blown glass seem to fall into 2 categories:
1. Those who prefer their glass clear, with minimal iridescence or encrustation from burial in the ground. Here is an example –
2. Those who prefer their glass brightly iridescent, with colorful
rainbow effects caused by extended burial in highly acidic or highly
alkaline soils. Here is an example –
These are quite understandable reasons behind these choices. Those
who prefer clear, relatively unaltered glass do so mainly because they
wish to view the artifacts in something as close as possible to their
original condition when in use. Many collectors who prefer highly
iridescent glass do so because they simply enjoy the sometimes dazzling
effects created by nature’s alteration of a man made surface.
The trend even extends to some older museum collections, where
curators have selected only the most iridescent examples of Roman glass,
hoping for an “Ohhh” and “Ahhh” effect from visitors, while neglecting
the importance of displaying Roman glass in a condition as near as
possible to the original “working” condition.
It is worth noting that some examples of ancient Roman blown glass
were once highly iridescent but were “cleaned” of their iridescent
surfaces. This destructive practice, which essentially removes much of
the mass of the artifact, was common in the 19th and early 20th
centuries. Experienced collectors will often shy away from such pieces,
as the stripping away of their iridescence has left them with a
clear surface but paper thin and fragile.
Here are some examples on our website of both highly iridescent Roman glass:
http://www.clioancientart.com/catalog/i98.html
http://www.clioancientart.com/catalog/i92.html
http://www.clioancientart.com/catalog/i62.html
and of relatively clear and unaltered Roman glass:
http://www.clioancientart.com/catalog/i144.html
http://www.clioancientart.com/catalog/i59.html
Clio Ancient Art and Antiquities seeks to make antiquities and artifacts of the Mediterranean world accessible to a wide audience while offering print and electronic resources to both the novice and experienced collector of ancient art. With 25 years experience collecting and extensive travel in the Mediterranean world, owner Chris Maupin has consulted on ancient art for museums and private collectors.
Thursday, September 12, 2013
Friday, September 6, 2013
Latest News from the Trust for Ancient Art
19 days remaining in the Trust for Ancient
Art's crowd funding campaign on Indiegogo. We.ve so far raised $417 of
our $2,000 goal (about 21%).
We have some exciting developments to tell you about.
* We are in discussions with the Mint Museum of Art in Charlotte, NC about initiating a temporary gallery of ancient Mediterranean art sometime next year. This would utilize the Mint's existing collection of antiquities (long hidden in storage and never shared with the public), gifts from our own Clio Ancient Art, and from private owners. As the Trust has now gifted all its holdings and is working to acquire more (part of the idea behind this campaign), Clio will offer several high quality items for display in this exhibit, part of a 1-year loan.
* We have completed the process of working with the Mint Museum to properly classify and catalog the 120 or so antiquities so long hidden in their basement, allowing us to assist them in possibly purging the collection of less display-worthy items.
* We have identified a source for several quality Trust acquisitions for next year. Once this campaign has ended we will share more details on this point.
* Finally, curatorial staff at the Mint Museum continue to share their enthusiasm for the 14th Century Medieval English floor tile gifted to them by the Trust last month. They recognize it as an important addition, filling a major gap in their extensive holdings of English ceramic materials.
Thanks again to everyone who has made a gift so far. Your perks will mail out the last week of September. And please continue to share information information about our campaign to all who might be interested, at http://igg.me/at/Ancient-Art-Education-for-All/x/4074220
We have some exciting developments to tell you about.
* We are in discussions with the Mint Museum of Art in Charlotte, NC about initiating a temporary gallery of ancient Mediterranean art sometime next year. This would utilize the Mint's existing collection of antiquities (long hidden in storage and never shared with the public), gifts from our own Clio Ancient Art, and from private owners. As the Trust has now gifted all its holdings and is working to acquire more (part of the idea behind this campaign), Clio will offer several high quality items for display in this exhibit, part of a 1-year loan.
* We have completed the process of working with the Mint Museum to properly classify and catalog the 120 or so antiquities so long hidden in their basement, allowing us to assist them in possibly purging the collection of less display-worthy items.
* We have identified a source for several quality Trust acquisitions for next year. Once this campaign has ended we will share more details on this point.
* Finally, curatorial staff at the Mint Museum continue to share their enthusiasm for the 14th Century Medieval English floor tile gifted to them by the Trust last month. They recognize it as an important addition, filling a major gap in their extensive holdings of English ceramic materials.
Thanks again to everyone who has made a gift so far. Your perks will mail out the last week of September. And please continue to share information information about our campaign to all who might be interested, at http://igg.me/at/Ancient-Art-Education-for-All/x/4074220
Labels:
Ancient Art Trust,
antiquities,
antiquity,
archaeology,
art,
artifacts,
Chris Maupin,
Clio Ancient Art,
collecting,
crowdfunding,
culture,
heritage,
history,
Mint Museum of Art,
museum,
Trust for Ancient Art
Location:
Charlotte, NC, USA
Thursday, September 5, 2013
Follow Clio on All Sorts of Social Netowrking Sites...
Clio is on all sorts of social networking sites –
Our Facebook page: https://www.facebook.com/pages/Clio-Ancient-Art-Antiquities/247378388593?fref=ts
Do you Tweet? Here’s our Twitter page: https://twitter.com/Kourionis
LinkedIn member? follow us at: http://www.linkedin.com/pub/chris-maupin/23/400/612
We’re also on Tumblr: http://www.tumblr.com/blog/clioancientart
Join our new Yahoo Group at: clioancientart-subscribe@yahoogroups.com
Of course we’re also on Redditt: http://www.reddit.com/r/ANTIQUITIES/
We have a great Flickr photostream: http://www.flickr.com/photos/99038255@N06/
And last but not least, Pinterest: http://pinterest.com/clioancientart/boards/
Our Facebook page: https://www.facebook.com/pages/Clio-Ancient-Art-Antiquities/247378388593?fref=ts
Do you Tweet? Here’s our Twitter page: https://twitter.com/Kourionis
LinkedIn member? follow us at: http://www.linkedin.com/pub/chris-maupin/23/400/612
We’re also on Tumblr: http://www.tumblr.com/blog/clioancientart
Join our new Yahoo Group at: clioancientart-subscribe@yahoogroups.com
Of course we’re also on Redditt: http://www.reddit.com/r/ANTIQUITIES/
We have a great Flickr photostream: http://www.flickr.com/photos/99038255@N06/
And last but not least, Pinterest: http://pinterest.com/clioancientart/boards/
Friday, August 30, 2013
Labor Day Sale!
Hello Clio Customers, Friends & Fans:
Weekend Only Flash Sale -- Beginning this Friday, August 30, 12:00 Noon Eastern Standard Time, ending Monday, September 2, 12:00 Noon Eastern Standard Time.
15% OFF ALL ANTIQUITIES
10% OFF ALL ANCIENT COINS
10% OFF EVERYTHING IN OUR BOOKS, CATALOGS, FRAMED & UNFRAMED ART SECTION
Website: http://www.clioancientart.com/
We've also added several nice ancient coins to our ancient coins section (21 lots to choose from: http://www.clioancientart.com/catalog/c18_p1.html), as well as several nice Roman and Viking small bronze objects (fibulae and rings). Here are some links -
http://www.clioancientart.com/catalog/i449.html
http://www.clioancientart.com/catalog/i445.html
http://www.clioancientart.com/catalog/i452.html
http://www.clioancientart.com/catalog/i454.html
http://www.clioancientart.com/catalog/i453.html
Finally, we have just 26 days left in our crowd funding campaign for the Ancient Art Trust and we've raised only $417 of our $2,000 target. If you can, please consider a gift of any amount to help us continue our important work with museums and universities: http://igg.me/at/Ancient-Art-Education-for-All/x/4074220
Thanks again for looking and best wishes,
Chris M. Maupin
Clio Ancient Art and Antiquities
Chris Maupin Trust for Ancient Art
Weekend Only Flash Sale -- Beginning this Friday, August 30, 12:00 Noon Eastern Standard Time, ending Monday, September 2, 12:00 Noon Eastern Standard Time.
15% OFF ALL ANTIQUITIES
10% OFF ALL ANCIENT COINS
10% OFF EVERYTHING IN OUR BOOKS, CATALOGS, FRAMED & UNFRAMED ART SECTION
Website: http://www.clioancientart.com/
We've also added several nice ancient coins to our ancient coins section (21 lots to choose from: http://www.clioancientart.com/catalog/c18_p1.html), as well as several nice Roman and Viking small bronze objects (fibulae and rings). Here are some links -
http://www.clioancientart.com/catalog/i449.html
http://www.clioancientart.com/catalog/i445.html
http://www.clioancientart.com/catalog/i452.html
http://www.clioancientart.com/catalog/i454.html
http://www.clioancientart.com/catalog/i453.html
Finally, we have just 26 days left in our crowd funding campaign for the Ancient Art Trust and we've raised only $417 of our $2,000 target. If you can, please consider a gift of any amount to help us continue our important work with museums and universities: http://igg.me/at/Ancient-Art-Education-for-All/x/4074220
Thanks again for looking and best wishes,
Chris M. Maupin
Clio Ancient Art and Antiquities
Chris Maupin Trust for Ancient Art
Labels:
ancient,
Ancient Art Trust,
antiquities,
antiquity,
archaeology,
art,
artifacts,
brooch,
Clio Ancient Art,
coins,
culture,
fibula,
heritage,
history,
museum,
numismatics,
Roman,
Roman Empire,
Rome,
Trust for Ancient Art
Thursday, August 29, 2013
A Few More Additions To Our Website...
All very simple and affordable. Links directly to the detail pages for these items are included here.
Roman Empire, Aurelian, AD 317-326. Silvered Antoninianus
http://www.clioancientart.com/catalog/i451.html
Roman Knee Fibula (Brooch)
http://www.clioancientart.com/catalog/i452.html
Viking Bronze Penannular Brooch
http://www.clioancientart.com/catalog/i449.html
Roman "Kraftig Profilierte" Fibula (Brooch)
http://www.clioancientart.com/catalog/i454.html
Tuesday, August 27, 2013
Antiquities Added to Our Website
We've added several items to our online stock of antiquities, many of them quite affordable. Here's a sample (with links):
DATE: 2nd-early 4th Century CE
http://www.clioancientart.com/catalog/i445.html
Crispus, Son of Constantine the Great
Caesar, AD 317-326. Bronze AE-3
http://www.clioancientart.com/catalog/i446.html
Postumus, British Usurper Emperor
AD 260-269. Silver Antoninianus
http://www.clioancientart.com/catalog/i448.html
More items being added next week (1st week of September). Check back frequently at:
http://www.clioancientart.com/index.html
Roman Enameled Bronze Finger Ring
CULTURE
/ REGION OF ORIGIN: Roman Empire (England)DATE: 2nd-early 4th Century CE
http://www.clioancientart.com/catalog/i445.html
Crispus, Son of Constantine the Great
Caesar, AD 317-326. Bronze AE-3
http://www.clioancientart.com/catalog/i446.html
Postumus, British Usurper Emperor
AD 260-269. Silver Antoninianus
http://www.clioancientart.com/catalog/i448.html
More items being added next week (1st week of September). Check back frequently at:
http://www.clioancientart.com/index.html
Labels:
ancient,
antiquities,
antiquity,
archaeology,
art,
artifacts,
coins,
culture,
enamel,
England,
heritage,
history,
museum,
numismatics,
Roman,
Roman Empire,
Rome
Tuesday, August 20, 2013
Roman Bronze Fibulae (Brooches)
In the previous article we offered a brief review of small Roman
bronze antiquities. One group of objects making up a large proportion of
small bronze antiquities available on the market is the fibula or
brooch, an ornate pin, usually made of copper alloy but sometimes of
precious metals, used to fasten clothing prior to buttons coming into
common use. Because this is such a diverse and widely collected type we
thought it best to review fibulae separately in this article.
Fibulae had a long pre Roman history throughout what would become the Roman Empire. Many Roman fibulae reflect earlier local traditions and styles. The example pictured below, from the Iberian Peninsula, dates to the transitional period when what is now Spain and Portugal were gradually falling under Roman control. The acorn shaped knob at the “foot” end is typical of pre Roman Iberian and Iberian-Celtic style. Otherwise, its form is typical of most Roman brooches in the western parts of the Empire: A coiled spring, at the end of which is a pin that rests in a catch plate, just like a modern safety pin. The bow of the brooch offers the manufacturer the opportunity to enhance the otherwise plain surface with gilding, silvering, tinning, enameling, punch marking, chip carving or any number of other decorative devices.
Fibulae had a long pre Roman history throughout what would become the Roman Empire. Many Roman fibulae reflect earlier local traditions and styles. The example pictured below, from the Iberian Peninsula, dates to the transitional period when what is now Spain and Portugal were gradually falling under Roman control. The acorn shaped knob at the “foot” end is typical of pre Roman Iberian and Iberian-Celtic style. Otherwise, its form is typical of most Roman brooches in the western parts of the Empire: A coiled spring, at the end of which is a pin that rests in a catch plate, just like a modern safety pin. The bow of the brooch offers the manufacturer the opportunity to enhance the otherwise plain surface with gilding, silvering, tinning, enameling, punch marking, chip carving or any number of other decorative devices.
Link to this object: http://www.clioancientart.com/catalog/i44.html
While the great majority of Roman brooches
are simple and undecorated bronze (see 1st Century European example
directly below) some examples utilize the decorative schemes mentioned
above.
Link to this object: http://www.clioancientart.com/catalog/i32.html
The brooch’s owner might have a “fancier”
piece custom made by a local craftsman or have an ordinary example
enhanced to look “upmarket” with a layer of tin (to make it look like
silver) or of silver or even gold. The example pictured here, dating to
the early 1st Century, is a case in point: a fairly straightforward
brooch has been enhanced with a layer of gilding, much of it still
remaining.
Link to this object: http://www.clioancientart.com/catalog/i155.html
Not all fibulae were sprung pin types based
on a bow shape. Others were based on a round plate, sometimes with a
central boss, while others were flat plates cast in a wide variety of
forms, including animals and mythological creatures.
This group of six is on display in the Roman
galleries of The British Museum, London, and illustrates the variety of
decorative schemes used on circular brooches, including colored enamel,
gilding, and the use of glass “gems” in the center.
The
group below is on display at the Verulamium Museum, at the site of
Roman Verulamium, today’s St Albans, England. It includes typical bow
brooches, most enhanced with cast or punched decoration, silvering and
other techniques, as well as penannular types.
Fibula
types evolved over time, of course, and during the late Roman period,
between the end of the 3rd Century and end of the 5th, the most common
type was the “crossbow” brooch, so named on account of its shape. Very
elaborate examples in solid gold, solid silver, gilt or silvered bronze,
often including decorative enhancements of niello (black silver
sulfide) were given by Imperial officials to loyal officers and others
worthy of honors. Many of these have been found in burials of the
period. Still, most crossbow fibulae were of simple bronze with cast or
punched decoration. The example below, one of several we’ve sold over
the years, is typical.
The
late Roman crossbow type evolved into still more forms and with the
arrival in both western and eastern Europe of many migrants from the
east and north (the so-called Barbarians) new tastes in personal
adornment were introduced. In some regions, Scotland for example, the
use brooches continued well past the Medieval period, at least for
decorative purposes. But new clothing styles suitable for a changed
climate demanded the use of buttons and clasps, gradually phasing out
the use of brooches.
There are many excellent resources for this
specific area of antiquities collecting available both in print and
online. Here a few we recommend:
Justine Bayley & Sarnia Butcher, Roman Brooches in Britain: A Technological and Typological Study Based on the Richborough Collection, The Society of Antiquaries of London, 2004.
Richard Hattatt, Ancient and Romano-British Brooches, Oxford, 1982.
http://finds.org.uk/
The UK’s Portable Antiquities Scheme finds database. One can do an
advanced search, including only those objects with images, by date,
type, find location, etc. While this only reflects UK finds, many
“foreign” types of fibulae appear in the database, having arrived in
Britain with army units, merchants, etc. A simple search for the term
“brooch” with images brought back a staggering 24,679 records.
Labels:
ancient,
antiquities,
antiquity,
archaeology,
art,
artifacts,
brooch,
Buttons,
collecting,
culture,
England,
fibula,
heritage,
history,
London,
Medieval,
Migration Period,
museum,
Roman,
Roman Empire
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